My Day? It is insignificant, unimportant.
My Day overflows only with jarring alarms, cold showers, unfinished projects, and an endless to-do list. The hours intertwine, creating a bizarre patchwork of disjointed memory. My adolescent image lies forcibly preserved under layers of fashion and modern intuition.
The fuming world howls an agenda at me. Not for me, not to me, not with me—at me. Self-centered crowds scream and shove for their rights—the rights to move, to argue, to preach, to convince, to survive, to be. Like children they fumble about with eyes closed, ears plugged, and mouths opened wide.
I fear the Day. I detest the Day. I defy the Day.
I defy it with my Night.
Night—my inviting cloak of darkness, concealing and caressing. It destroys my mask of reality to reveal a natural expression of melancholy contentment.
I read through the Night, filling my mind with radical ideas and enchanting fantasy, through page after musty page of uneven print and newfound familiarity.
I sketch in the Night. Losing track of hours, I use form and texture to crystallize a memory or object or lover’s face.
I write of the Night. My heightened emotions find no better residence and release than between ink and paper.
I sing to the Night. Low pitches of love and endurance stream from my lips in practiced rhythm. Ivory piano keys yield to my fingers, mixing harmony and base with direction and beauty.
I dance for the Night while no one watches; drum beats throb through my subconscious, demanding momentum. My hands and feet trace intricate patterns in the air as my overwhelmed mind flies free from my body.
I talk with the Night. Darkness, such a clever, confusing shroud, unveils truth. Only truth is spoken, only truth is thought. Darkness reveals the gorgeous and the hideous alike, leaving no room to deceive. Alarming, but not unpleasant, words escape my mind, escape my tongue, and always escape my regret.
Because of My Night, I do not survive, I live.